2644 I Release You.

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I almost never write a blog post in advance, but I did for tonight’s page because I was doing something and happened to have the blog page open. Except this evening before I started working on the art the news dropped about Akira Toriyama dying on the first of March. It threw me off enough that I wasn’t able to get through the page on time, plus I just wanted to stop and mark the event in the blog. So I saved the other one and now I’m writing this.

My art is passable, but because of that it’s difficult to pick out influences, since it gets filtered through my lack of skill. I really love Toriyama’s style, though it’s probably impossible to see any influence in mine. The clean lines on the black and white manga pages are some of my favorite. It’s rarely muddy the way it gets with some manga styles if a lot is going on. I get visually overwhelmed easily since my eyes have always been a little off. Being able to follow action keeps me in the story. Putting aside the art stuff there’s also the fact that I just liked the stories he told and the franchises he worked on. Dragon Quest 8 was my favorite in that series since it was the first to translate the art into a cartoon generated in real time. The DBZ games got there a bit faster but I was never a big fan of reliving the battles as a participant. I’ve always dreamed of a time when I could construct my characters as 3d models and manipulate them without having to try and draw everything all the time. That’s an entirely other skillset, but whatever. The actual cartoons eventually did just that. It’s harder to tell now, but DBZ hasn’t been hand animated for a while. It’s just that technology bridged the gap at some point. Anyway that’s all as may be. I’m right in the middle of reading Dragon Ball Super as it comes out, and I don’t know how much of the story was worked out in advance. Whatever happens it won’t be in the hands of the creator and that is always dicey. Black Frieza was just introduced and that was clearly going to be a big deal at some point. Toriyama’s successor clearly has the art skills to continue, but he has expressed on more than one occasion how comforting it was to have the master behind him to guide him.

This page might seem like a reaction to these events, but it’s just happenstance. I wanted to cut away to Jessica and express her feelings about resisting change. By whatever magic causes these things the page just happens to resonate. Accepting change, releasing control, and that sort of thing is very difficult for some people, but you can’t stop it, so you eventually have to learn to accept it and adapt to it. For a moment though it’s not evil to stop and grieve the loss of what you had.

He was 68. There could have been 30 more years of good times or more, but that isn’t the reality we live in now. I wish we only had to wait a year to wish him back, or we could grab him out of the time stream and save him before it was too late. Alas, that’s only for fiction.

Please come back to me on Monday. I look forward to our next meeting.

11 Comments

I’m reading news all over about Toriyama’s passing. It’s definitely a punch to the gut like Goku to a Red Ribbon Army soldier. Even more so when you realize that Chrono Trigger is set to celebrate its 30th anniversary next year and fans are buzzing on whether Toriyama might be involved in some great anniversary project for the RPG game.

But…no. Toriyama has left us for the big pearly gates and as a fan who admired him for Dr. Slump and the original Dragon Ball (not a fan of Z, sorry), he will be GREATLY missed!

Z was awesome. But so was dragon Ball. And I love Dr slump. Got to respect the classics and toriyama was a mad genius.

To me, the whole machismo aspect of Z felt like a stark contrast to Toriyama’s brand of storytelling and silliness. I know that Z had to be made in order to bolster production funds and interest with the successes of Fist of the North Star and Saint Seiya, but to me, it wasn’t what I felt with Toriyama.

Sounds like Jess is realizing that she needs to live more in the moment. I cant say that I ever read the Manga but I saw endless episodes of Dragon Ball. I worked for a number of years at an inpatient drug rehab for adolescents. Whatever version of Dragon Ball was in syndication at the time was scheduled in the time between the last group therapy session and supper. The kids watched it obsessively. Even the ones that wouldn’t be caught dead watching it when they were out in the world got into it. If only for a little while thirty kids could let go of the street and just be kids watching cartoons.

I hope I’m wrong but it feels like a prelude to a break-up. Hear me out – being with Jo is ‘good times’ for Jess, but the craving for novelty that stems from her immature side is strong. If so, it’s a good thing that she is talking through it, except for the fact that Jo is sensitive, very sensitive.

My guess is she’s talking about what Ed’s dating Nina might do to her own closeness with her twin. Feeling threatened by that would be immature in her own eyes _especially_ because she has in a relationship herself for a while now.

Obsessing over holding on to good times is a good way to help them go away. Good times come and go. Enjoy them while they’re around, and realize that by meeting life with balance, calm and maturity they will come around again sooner.

And will often make the bad times a little less bad.

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